{"id":1079,"date":"2024-05-17T14:13:59","date_gmt":"2024-05-17T12:13:59","guid":{"rendered":"https:\/\/sfpe-at.com\/?p=1079"},"modified":"2025-03-21T17:35:37","modified_gmt":"2025-03-21T16:35:37","slug":"ombre-des-aitres-de-la-lumiere","status":"publish","type":"post","link":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/2024\/05\/17\/ombre-des-aitres-de-la-lumiere\/","title":{"rendered":"Ombre des a\u00eetres de la lumi\u00e8re \u00a0\u00a0"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em>\u00ab \u2026Laisse- moi devenir\/L\u2019ombre de ton ombre\/L\u2019ombre de ta main\/L\u2019ombre de ton chien\/ Ne me quitte pas\u2026\u00bb <\/em><br>J. Brel, 1972<\/p>\n\n\n\n<p>Bormes-les-Ombres, site imaginaire \u2014 chacun y reconna\u00eetra le sien \u2014 o\u00f9 un coteau escarp\u00e9 porte son ombre sur la mer illumin\u00e9e. La beaut\u00e9 des corps, de la nature et des oeuvres qui les c\u00e9l\u00e8brent, son pouvoir de toucher notre r\u00e9sonance intime sont accrus par les liaisons mouvantes, contrast\u00e9es ou nuanc\u00e9es, inqui\u00e9tantes ou apaisantes de l\u2019ombre et de la lumi\u00e8re. Les cliniciens cr\u00e9ateurs des tests projectifs les plus innovants (Rorschach, TAT, Szondi) ont utilis\u00e9 la m\u00e9diation de formes ombr\u00e9es (taches, dessins, tableaux, photographies) pour approcher la Travers\u00e9e des ombres (Jean-Bertrand Pontalis) de leurs patients hant\u00e9s, abandonn\u00e9s, affect\u00e9s par elles, pas seulement sur un mode dysphorique. La psychologie projective, paradigme \u00e0 notre avis des th\u00e9rapies \u00e0 m\u00e9diation artistique, sera mise \u00e0 contribution (particuli\u00e8rement les nuances d\u2019interpr\u00e9tation des r\u00e9ponses au Rorschach cot\u00e9es en estompage et clair-obscur) dans notre consultation des jeux d\u2019ombre et de lumi\u00e8re, \u00e0 \u00ab m\u2019aime \u00bb (Ne me quitte pas chantera Brel ) le corps \u00ab nu\/un \u00bb de la femme en l\u2019oeuvre de Nicolas de Sta\u00ebl (\u00c9tudes de nu, encres et fusains 1954-55, Antibes), Ernest Pignon Ernest (dessins et s\u00e9rigraphies, Extases, Avignon,2008 ; Les Anges du voeu de Louis XIII, Montauban,2009, Louise Lane, Paris, 2013), Lucien Clergue ( photographies, N\u00e9e de la vague, 1968 ; Nus z\u00e8br\u00e9s,1998). En paraphrasant P. Soulages, puis M. Yourcenar, je dirai que le travail psycho-clinique rel\u00e8ve de l\u2019\u00ab outre-ombre \u00bb, une \u00ab oeuvre au gris \u00bb, ce \u00ab Royaume interm\u00e9diaire \u00bb o\u00f9 les formations de l\u2019inconscient (dont le paradigme est le r\u00eave) inspirent la po\u00e9sie et les contes condens\u00e9s en chaque oeuvre, quel qu\u2019en soit le medium, travers\u00e9e par une lumi\u00e8re int\u00e9rieure, psychique, celle qui \u00e9claire nos r\u00eaves. \u00c0 l\u2019instar de Peter Pan celui qui parvient \u00e0 recoudre \u00e0 (en) lui son (ses) ombres, finit par en voir les couleurs. Jubilation !<\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-0c5dd61414d2cb4c88e3596780dedeb0\" style=\"color:#2753a5\"><strong><em>Pour lire le texte complet <a href=\"\/index.php\/options-dinscription\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">s&rsquo;inscrire<\/mark><\/a> ou <a href=\"\/index.php\/my-account\/edit-account\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">se connecter<\/mark><\/a><\/em><\/strong><\/p>\n\n\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size has-small-font-size\"><a class=\"wp-block-button__link has-vivid-red-background-color has-background wp-element-button\" href=\"\/index.php\/2024\/05\/15\/ombre-et-lumiere\/\">&lt;&#8211; retour<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-table\"><table class=\"has-background\" style=\"background-color:#f8f2f2\"><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Auteur<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>Jean-Pierre Martineau<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>R\u00e9f\u00e9rence<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>RA006-24<\/strong><br><strong>Ombre et Lumi\u00e8re<\/strong><br>Journ\u00e9es d\u2019Automne 2014<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Cat\u00e9gories<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td>Art<br>Cin\u00e9ma<br>Litt\u00e9rature<br>Peinture<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab \u2026Laisse- moi devenir\/L\u2019ombre de ton ombre\/L\u2019ombre de ta main\/L\u2019ombre de ton chien\/ Ne me quitte pas\u2026\u00bb J. Brel, 1972 Bormes-les-Ombres, site imaginaire \u2014 chacun y reconna\u00eetra le sien \u2014 o\u00f9 un coteau escarp\u00e9 porte son ombre sur la mer illumin\u00e9e. La beaut\u00e9 des corps, de la nature et des&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[41],"tags":[483,510,509,53,484,96],"class_list":["post-1079","post","type-post","status-publish","format-standard","hentry","category-martineau-jean-pierre","tag-art","tag-cinema","tag-litterature","tag-ombre-et-lumiere","tag-peinture","tag-ra006-24","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/1079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/comments?post=1079"}],"version-history":[{"count":3,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/1079\/revisions"}],"predecessor-version":[{"id":4461,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/1079\/revisions\/4461"}],"wp:attachment":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/media?parent=1079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/categories?post=1079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/tags?post=1079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}