{"id":1401,"date":"2024-05-30T19:35:09","date_gmt":"2024-05-30T17:35:09","guid":{"rendered":"https:\/\/sfpe-at.com\/?p=1401"},"modified":"2025-03-09T14:32:45","modified_gmt":"2025-03-09T13:32:45","slug":"la-violence-dans-les-performances-dotto-muehl","status":"publish","type":"post","link":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/2024\/05\/30\/la-violence-dans-les-performances-dotto-muehl\/","title":{"rendered":"La violence dans les performances d\u2019Otto Muehl"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Le parcours artistique d&rsquo;Otto Muel (1925-2013), l&rsquo;un des quatre membres de l&rsquo;Actionnisme viennois est indissociable de la conjonction de deux \u00e9v\u00e9nements :<\/p>\n\n\n\n<p>L&rsquo;un, ext\u00e9rieur, qui correspond au d\u00e9ni perp\u00e9tr\u00e9, longtemps apr\u00e8s la fin de la guerre de 39-40, par le peuple autrichien de sa responsabilit\u00e9 dans sa participation au r\u00e9gime nazi et des cons\u00e9quences d\u00e9sastreuses de la seconde guerre mondiale.<\/p>\n\n\n\n<p>L&rsquo;autre, li\u00e9 \u00e0 son histoire personnelle, marqu\u00e9e tr\u00e8s t\u00f4t par une violence ignor\u00e9e de lui dont il prend conscience dans l&rsquo;atelier de Brus, un autre actionniste, au retour d&rsquo;un s\u00e9jour pass\u00e9 pr\u00e8s de sa m\u00e8re. Cet \u00e9v\u00e9nement fondateur, r\u00e9v\u00e9lateur de sa propre violence, marque son entr\u00e9e dans l&rsquo;actionnisme et son abandon de la peinture.<\/p>\n\n\n\n<p>Le recours au r\u00e9el du corps, dans la performance actionniste, pourrait \u00eatre envisag\u00e9 comme l&rsquo;ultime tentative pour \u00ab montrer \u00bb l&rsquo;irrepr\u00e9sentable d&rsquo;une violence instinctive qui se donne comme l&rsquo;effet d&rsquo;une trace mn\u00e9sique sensori-motrice non traduite en image mn\u00e9sique, donc ant\u00e9rieure au refoulement originaire. Ce \u00ab passage par l&rsquo;acte \u00bb, et sa ritualisation, r\u00e9active une m\u00e9moire affective et sensori-motrice et ouvre une voie vers \u00ab un partage du sensible \u00bb (Ranci\u00e8re), en de\u00e7\u00e0 du dicible, face \u00e0 un monde en perte de sens.<\/p>\n\n\n\n<p><strong><em>Pour lire le texte complet <a href=\"\/index.php\/options-dinscription\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">s&rsquo;inscrire<\/mark><\/a> ou <a href=\"\/index.php\/my-account\/edit-account\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">se connecter<\/mark><\/a><\/em><\/strong><\/p>\n\n\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-vivid-red-background-color has-background wp-element-button\" href=\"\/index.php\/2019\/11\/03\/violences\/\">&lt;&#8211;retour<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-table\"><table class=\"has-background\" style=\"background-color:#f8f2f2\"><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Auteur<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>Suzanne Ferri\u00e8res-Pestureau<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>R\u00e9f\u00e9rence<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>RA014-15<\/strong><br><strong>Violences<\/strong><br>Journ\u00e9es d\u2019Automne 2019<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Cat\u00e9gories<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td>Art<br>Performance<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le parcours artistique d&rsquo;Otto Muel (1925-2013), l&rsquo;un des quatre membres de l&rsquo;Actionnisme viennois est indissociable de la conjonction de deux \u00e9v\u00e9nements : L&rsquo;un, ext\u00e9rieur, qui correspond au d\u00e9ni perp\u00e9tr\u00e9, longtemps apr\u00e8s la fin de la guerre de 39-40, par le peuple autrichien de sa responsabilit\u00e9 dans sa participation au r\u00e9gime&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[141],"tags":[483,642,301,38],"class_list":["post-1401","post","type-post","status-publish","format-standard","hentry","category-ferrieres-pestureau-suzanne","tag-art","tag-performance","tag-ra014-15","tag-violences","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/1401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/comments?post=1401"}],"version-history":[{"count":3,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/1401\/revisions"}],"predecessor-version":[{"id":3984,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/1401\/revisions\/3984"}],"wp:attachment":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/media?parent=1401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/categories?post=1401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/tags?post=1401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}