{"id":1579,"date":"2024-06-12T16:52:52","date_gmt":"2024-06-12T14:52:52","guid":{"rendered":"https:\/\/sfpe-at.com\/?p=1579"},"modified":"2025-03-25T19:46:39","modified_gmt":"2025-03-25T18:46:39","slug":"apollinaire-et-robert-delaunay-des-briseurs-de-fenetres","status":"publish","type":"post","link":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/2024\/06\/12\/apollinaire-et-robert-delaunay-des-briseurs-de-fenetres\/","title":{"rendered":"Apollinaire et Robert Delaunay, des briseurs de fen\u00eatres ?"},"content":{"rendered":"\n
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Apollinaire compose les po\u00e8mes de Calligrammes <\/em>entre 1912 et 1917. Entre 1912 et 1913, Robert Delaunay r\u00e9alise la s\u00e9rie des Fen\u00eatres<\/em>. En janvier 1913, Apollinaire et Delaunay vont ensemble \u00e0 Berlin, \u00e0 l\u2019occasion de l\u2019exposition du peintre \u00e0 la galerie du Sturm. Pour ouvrir l\u2019album-catalogue de onze planches, Apollinaire \u00e9crit Les fen\u00eatres <\/em>qui prendra place au tout d\u00e9but de Calligrammes<\/em>.<\/p>\n\n\n\n

Le dialogue entre la po\u00e9sie et la peinture, n\u00e9 \u00e0 la fin du XIXe si\u00e8cle, prend alors tout son essor. Que signifie, pour ces deux cr\u00e9ateurs, la collaboration autour de la fen\u00eatre, motif majeur en peinture et en litt\u00e9rature ? Les \u00e9crits sur l\u2019art d\u2019Apollinaire t\u00e9moignent de son admiration pour les recherches de Delaunay. L\u2019\u00e9criture d\u2019un po\u00e8me est d\u2019une autre ambition puisqu\u2019il fait co\u00efncider deux pratiques artistiques, deux supports diff\u00e9rents, la toile et la page, des fen\u00eatres-tableaux et des fen\u00eatres-po\u00e8mes. Dans cette p\u00e9riode d\u2019effervescence artistique, o\u00f9 s\u2019amorce la lib\u00e9ration des contraintes de la repr\u00e9sentation, la fen\u00eatre se pr\u00e9sente comme un espace id\u00e9al o\u00f9 il est possible d\u2019exp\u00e9rimenter d\u2019autres langages. Comment Apollinaire et Delaunay, en inventant de nouvelles perspectives, s\u2019inscrivent-ils dans la longue histoire de la fen\u00eatre ?<\/p>\n\n\n\n

Pour lire le texte complet s’inscrire<\/mark><\/a> ou se connecter<\/mark><\/a><\/em><\/strong><\/p>\n\n\n\n\n\n

<\/div>\n\n\n\n
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<–retour<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
Auteur<\/strong><\/mark><\/th><\/tr><\/thead>
Sylvie Cassayre<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
R\u00e9f\u00e9rence<\/strong><\/mark><\/th><\/tr><\/thead>
RA017-19<\/strong>
Fen\u00eatres
Journ\u00e9es d’Automne 2021<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Cat\u00e9gories<\/strong><\/mark><\/th><\/tr><\/thead>
Litt\u00e9rature
Peinture
Po\u00e9sie<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Apollinaire compose les po\u00e8mes de Calligrammes entre 1912 et 1917. Entre 1912 et 1913, Robert Delaunay r\u00e9alise la s\u00e9rie des Fen\u00eatres. En janvier 1913, Apollinaire et Delaunay vont ensemble \u00e0 Berlin, \u00e0 l\u2019occasion de l\u2019exposition du peintre \u00e0 la galerie du Sturm. Pour ouvrir l\u2019album-catalogue de onze planches, Apollinaire \u00e9crit…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[204],"tags":[370,509,484,496,403],"class_list":["post-1579","post","type-post","status-publish","format-standard","hentry","category-cassayre-sylvie","tag-fenetres","tag-litterature","tag-peinture","tag-poesie","tag-ra017-19","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/1579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/comments?post=1579"}],"version-history":[{"count":3,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/1579\/revisions"}],"predecessor-version":[{"id":4733,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/1579\/revisions\/4733"}],"wp:attachment":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/media?parent=1579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/categories?post=1579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/tags?post=1579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}