{"id":3361,"date":"2025-01-20T18:13:20","date_gmt":"2025-01-20T17:13:20","guid":{"rendered":"https:\/\/sfpe-at.com\/?p=3361"},"modified":"2025-03-19T14:04:17","modified_gmt":"2025-03-19T13:04:17","slug":"le-geste-brutal-du-peintre-ou-le-ravissement-de-kundera","status":"publish","type":"post","link":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/2025\/01\/20\/le-geste-brutal-du-peintre-ou-le-ravissement-de-kundera\/","title":{"rendered":"Le geste brutal du peintre ou le ravissement de Kundera"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Face au portrait d\u2019Henriette Moreas de Bacon, Milan Kundera \u00ab voit le regard du peintre\u00bb. Il s&rsquo;agit d\u2019un regard qui le d\u00e9visage litt\u00e9ralement, puisque il se pose sur le visage tel un geste brutal, comme une main cherchant \u00e0 s\u2019emparer de son essence, de ce diamant cach\u00e9 dans les profondeurs. Le tableau devient ainsi pi\u00e8ge \u00e0 regard.<br>Quel est cet objet pr\u00e9cieux qui a ravi le regard de l\u2019\u00e9crivant ? Quelle est la fonction de ce regard qui surgit tel un geste brutal du tableau suivant un mouvement qui froisse le visage de l\u2019autre dans l&rsquo;espoir de trouver en lui, derri\u00e8re lui la chose cach\u00e9e de la vie ?<\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-0c5dd61414d2cb4c88e3596780dedeb0\" style=\"color:#2753a5\"><strong><em>Pour lire le texte complet <a href=\"\/index.php\/options-dinscription\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">s&rsquo;inscrire<\/mark><\/a> ou <a href=\"\/index.php\/my-account\/edit-account\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">se connecter<\/mark><\/a><\/em><\/strong><\/p>\n\n\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size has-small-font-size\"><a class=\"wp-block-button__link has-vivid-red-background-color has-background wp-element-button\" href=\"\/index.php\/2025\/01\/20\/ravissement\/\">&lt;&#8211; retour<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-table\"><table class=\"has-background\" style=\"background-color:#f8f2f2\"><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Auteur<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>Ang\u00e9lique Christaki<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>R\u00e9f\u00e9rence<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>RA003-23<\/strong><br><strong>Ravissement<\/strong><br>Journ\u00e9es d&rsquo;Automne 2012<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Cat\u00e9gories<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td>Psychanalyse<br>Litt\u00e9rature<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Face au portrait d\u2019Henriette Moreas de Bacon, Milan Kundera \u00ab voit le regard du peintre\u00bb. Il s&rsquo;agit d\u2019un regard qui le d\u00e9visage litt\u00e9ralement, puisque il se pose sur le visage tel un geste brutal, comme une main cherchant \u00e0 s\u2019emparer de son essence, de ce diamant cach\u00e9 dans les profondeurs.&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[410],"tags":[509,494,698,667],"class_list":["post-3361","post","type-post","status-publish","format-standard","hentry","category-christaki-angelique","tag-litterature","tag-psychanalyse","tag-ra003-23","tag-ravissement","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/3361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/comments?post=3361"}],"version-history":[{"count":2,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/3361\/revisions"}],"predecessor-version":[{"id":4375,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/3361\/revisions\/4375"}],"wp:attachment":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/media?parent=3361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/categories?post=3361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/tags?post=3361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}