{"id":3363,"date":"2025-01-20T18:16:13","date_gmt":"2025-01-20T17:16:13","guid":{"rendered":"https:\/\/sfpe-at.com\/?p=3363"},"modified":"2025-03-19T14:04:39","modified_gmt":"2025-03-19T13:04:39","slug":"la-musique-et-la-transe","status":"publish","type":"post","link":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/2025\/01\/20\/la-musique-et-la-transe\/","title":{"rendered":"La musique et la transe"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Nous allons proposer une relecture de l\u2019analyse ethnomusicologique de Gilbert Rouget (1980). Elle porte sur les liens entre diff\u00e9rents param\u00e8tres musicaux et l&rsquo;induction d&rsquo;un \u00e9tat de possession, ou de transe, en nous basant sur des r\u00e9sultats de recherche r\u00e9cents en psychologie de la musique (\u00e9motions, cognitions, jugement esth\u00e9tique), sociologie de la musique (culture, croyances) et neurosciences (neurobiologie, neuropsychologie, imagerie c\u00e9r\u00e9brale).<br>De cette approche multidisciplinaire, nous allons d\u00e9gager des implications pour la musicoth\u00e9rapie, en insistant sur ses aspects d\u00e9ontologiques et cliniques.<\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-0c5dd61414d2cb4c88e3596780dedeb0\" style=\"color:#2753a5\"><strong><em>Pour lire le texte complet <a href=\"\/index.php\/options-dinscription\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">s&rsquo;inscrire<\/mark><\/a> ou <a href=\"\/index.php\/my-account\/edit-account\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">se connecter<\/mark><\/a><\/em><\/strong><\/p>\n\n\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size has-small-font-size\"><a class=\"wp-block-button__link has-vivid-red-background-color has-background wp-element-button\" href=\"\/index.php\/2025\/01\/20\/ravissement\/\">&lt;&#8211; retour<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-table\"><table class=\"has-background\" style=\"background-color:#f8f2f2\"><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Auteur<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>Lony Schiltz<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>R\u00e9f\u00e9rence<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>RA003-24<\/strong><br><strong>Ravissement<\/strong><br>Journ\u00e9es d&rsquo;Automne 2012<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Cat\u00e9gories<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td>Anthropologie<br>Neurosciences<br>Psychologie<br>Musicoth\u00e9rapie<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nous allons proposer une relecture de l\u2019analyse ethnomusicologique de Gilbert Rouget (1980). Elle porte sur les liens entre diff\u00e9rents param\u00e8tres musicaux et l&rsquo;induction d&rsquo;un \u00e9tat de possession, ou de transe, en nous basant sur des r\u00e9sultats de recherche r\u00e9cents en psychologie de la musique (\u00e9motions, cognitions, jugement esth\u00e9tique), sociologie de&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[98],"tags":[501,673,515,498,699,667],"class_list":["post-3363","post","type-post","status-publish","format-standard","hentry","category-schiltz-lony","tag-anthropologie","tag-musicotherapie","tag-neurosciences","tag-psychologie","tag-ra003-24","tag-ravissement","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/3363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/comments?post=3363"}],"version-history":[{"count":2,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/3363\/revisions"}],"predecessor-version":[{"id":4376,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/3363\/revisions\/4376"}],"wp:attachment":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/media?parent=3363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/categories?post=3363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/tags?post=3363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}