{"id":6708,"date":"2026-05-14T15:34:30","date_gmt":"2026-05-14T13:34:30","guid":{"rendered":"https:\/\/bibliotheque-sfpe-at.com\/?p=6708"},"modified":"2026-05-14T16:17:49","modified_gmt":"2026-05-14T14:17:49","slug":"limage-en-musique","status":"publish","type":"post","link":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/2026\/05\/14\/limage-en-musique\/","title":{"rendered":"L\u2019image en musique"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-text-align-left wp-block-paragraph\">Contrairement aux th\u00e9ories strictement nominalistes, voire conventionnalistes, del\u00e0 s\u00e9miologie contemporaine (domin\u00e9e par certaines doctrines linguistiques), il est d\u00e9tendu ici l&rsquo;id\u00e9e que la capacit\u00e9 musicale de repr\u00e9sentation s&rsquo;enracine dans des donn\u00e9es \u00ab\u00a0naturelles\u00a0\u00bb de l&rsquo;appareil psychosomatique humain.<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-0c5dd61414d2cb4c88e3596780dedeb0 wp-block-paragraph\" style=\"color:#2753a5\"><strong><em>Pour lire le texte complet <a href=\"\/index.php\/options-dinscription\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">s&rsquo;inscrire<\/mark><\/a> ou <a href=\"\/index.php\/my-account\/edit-account\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">se connecter<\/mark><\/a><\/em><\/strong><\/p>\n\n\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-3e41869c wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-vivid-red-background-color has-background has-small-font-size has-custom-font-size wp-element-button\" href=\"\/index.php\/2026\/05\/14\/1982-psychologie-medicale\/\">&lt;&#8211;retour<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-table\"><table class=\"has-background\" style=\"background-color:#f8f2f2\"><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Auteur<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>Pousseur Henri<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>R\u00e9f\u00e9rence<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td><strong>RB031982-04<\/strong><br>L\u2019image expressive, Lille 1981<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><thead><tr><th><mark class=\"has-inline-color has-vivid-red-color\" style=\"background-color: rgba(0, 0, 0, 0);\"><strong>Cat\u00e9gories<\/strong><\/mark><\/th><\/tr><\/thead><tbody><tr><td>Psychanalyse<br>Esth\u00e9tique<br>Ph\u00e9nom\u00e9nologie<br>Linguistique<br>Musique<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contrairement aux th\u00e9ories strictement nominalistes, voire conventionnalistes, del\u00e0 s\u00e9miologie contemporaine (domin\u00e9e par certaines doctrines linguistiques), il est d\u00e9tendu ici l&rsquo;id\u00e9e que la capacit\u00e9 musicale de repr\u00e9sentation s&rsquo;enracine dans des donn\u00e9es \u00ab\u00a0naturelles\u00a0\u00bb de l&rsquo;appareil psychosomatique humain. Pour lire le texte complet s&rsquo;inscrire ou se connecter Auteur Pousseur Henri R\u00e9f\u00e9rence RB031982-04L\u2019image expressive,&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[1303],"tags":[491,929,538,486,494,1299,1312],"class_list":["post-6708","post","type-post","status-publish","format-standard","hentry","category-pousser-henri","tag-esthetique","tag-linguistique","tag-musique","tag-phenomenologie","tag-psychanalyse","tag-psychologie-medicale-1982","tag-rb031982-04","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/6708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/comments?post=6708"}],"version-history":[{"count":2,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/6708\/revisions"}],"predecessor-version":[{"id":6711,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/posts\/6708\/revisions\/6711"}],"wp:attachment":[{"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/media?parent=6708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/categories?post=6708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bibliotheque-sfpe-at.com\/index.php\/wp-json\/wp\/v2\/tags?post=6708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}